Saturday, July 17, 2010
Catch Colton if You Can
What is the first thing you would think of a teenager who has robbed hundreds of houses, stolen a yacht and multiple planes? Because I think of Leonardo DiCaprio. Perhaps I have seen the movie Catch Me if You Can more than most. The movie was based on the true story of Frank Abagnale Jr., a check forger at the age of 17 who adopted multiple personas to travel freely and inconspicuously. And now a criminal has emerged, worthy of enough cultural praise to match Abagnale’s notoriety. The 19-year old, dubbed the ‘Barefoot Bandit’ for committing crimes without shoes, was first arrested at the age of 12, and escaped from a halfway house where he had been living two years ago, according to an AP report. The similarities are impossible to ignore for a fan (of the movie, not the crimes) like myself. For example, ‘bandit’ Colton Harris-Moore has been accused of burglary, as well as stealing planes and boats while attempting to flee from police. As DiCaprio portrayed, Abagnale committed fraud by impersonating a pilot to essentially steal numerous free plane rides by ‘deadheading’, forged checks to steal from Pan Am Airways, and crossed state and national borders to escape from the FBI. The ‘Barefoot Bandit’ has been convicted in nine US states, British Columbia and the Bahamas, while his counterpart traveled through dozens of countries and states during his spree. Abagnale fled from the FBI for five years, Harris-Moore, for two years. Both started at young ages and came from downtrodden families. However, I do hope Harris-Moore does not match Abagnale’s ability to escape once in custody, as Abagnale once fled from a taxiing plane at JFK airport to escape arrest. Although the ‘bandit’ does not match the “Catch Me” muse’s unlawful talent, his situation is attractive to several movie studios, and his mother seems eager to cash in on her son’s exploits. So we’ll have to wait and compare movies, but until then Harris-Moore’s story will continue to unfold as his extradition and subsequent trial in Washington begins.
Saturday, July 10, 2010
Twilight Saga: Eclipse
I didn’t need Edward’s telepathy to know what the teens in the theater were thinking, nor Alice’s psychic ability to know if the Twilight Saga: Eclipse would be successful. Just about every girl in the room was hyperventilating, and the third installment of the vampire series earned about $176.4 million in six days of North American sales alone. According to CNN, the movie made $30 million dollars in just the first three hours it screened.
The movie series that revamped (pun intended) the supernatural trend has furthered the cultural phenomenon, illustrating the relationship between characters Bella and Edward --and Jacob. The entire movie seemed like a game of tug-of-war for Bella’s affections. Not unlike the novel, but as a movie it was lacking action, which was awkwardly confined to the first five, and last ten minutes of the film. Director David Slade, known for horror movies like Hard Candy, was well represented in the first scene, as vampires in a rain-soaked Seattle eerily attack an unfamiliar character. Overcompensation to lighten his thriller-mood may explain why the majority of the movie was gushy and maybe too romantic for the plot, which focuses on a vengeful Victoria (Bryce Dallas Howard) creating a newborn vampire army to destroy Bella and the Cullen family. Howard replaced Rachelle LeFevre, who played the redheaded villain in the first two movies, but her replacement was unfortunately too sweet and sympathetic to be taken seriously as a murderous and heartbroken vampire.
The movie does highlight characters that were previously ill represented. Jasper (Jackson Rathbone) and Rosalie (Nikki Reed) are given time to share their past in order to help the Cullens fight newborn vampires, and help Bella make the right choice between life and immortality, respectively. But once Jasper’s past as a Southern Confederate is revealed, Rathbone’s accent becomes heavy and makes me question the consistency of his voice in the previous movies. Overall, the effects were decent and the hype will sustain. It should be interesting to see Robert Pattinson and Kristen Stewart tying the knot in the first part of Breaking Dawn though. I can just see the tabloid pictures of them filming in costume with captions questioning their matrimony.
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Tuesday, June 29, 2010
Summer Songs
Katy Perry’s “California Gurls” may be unforgettable, but what other songs have been downloaded the most off of itunes this summer?
Some perfect summer songs to blast out your car window include Taio Cruz’ “Dynamite”. With catchy lyrics like ‘I throw my hands up in the air sometimes singing ah oh/ I want to celebrate and live my life saying ah oh, baby lets go’ Cruz’ single is addictive.
Jason Derulo’s “Ridin’ Solo” and Usher’s “OMG” also contribute to the list, and as far as teen pop, Selena Gomez’ “Round and Round” and Miley Cyrus’ “Can’t Be Tamed” remain popular downloads.
A trait that many top selling artists share in producing hit songs is some familiar vocals. While Ke$ha made the list on her own at number 10 with “Your Love is My Drug”, she has shared the success with artists such as 3OH!3 and Taio Cruz. Ke$ha sings in 3OH!3’s “My First Kiss” and in Cruz’ song “Dirty Picture”. Whether or not Ke$ha will be featured on any more popular songs this summer, I am confident there will be plenty to listen to in the car and on the beach!
Some perfect summer songs to blast out your car window include Taio Cruz’ “Dynamite”. With catchy lyrics like ‘I throw my hands up in the air sometimes singing ah oh/ I want to celebrate and live my life saying ah oh, baby lets go’ Cruz’ single is addictive.
Jason Derulo’s “Ridin’ Solo” and Usher’s “OMG” also contribute to the list, and as far as teen pop, Selena Gomez’ “Round and Round” and Miley Cyrus’ “Can’t Be Tamed” remain popular downloads.
A trait that many top selling artists share in producing hit songs is some familiar vocals. While Ke$ha made the list on her own at number 10 with “Your Love is My Drug”, she has shared the success with artists such as 3OH!3 and Taio Cruz. Ke$ha sings in 3OH!3’s “My First Kiss” and in Cruz’ song “Dirty Picture”. Whether or not Ke$ha will be featured on any more popular songs this summer, I am confident there will be plenty to listen to in the car and on the beach!
Saturday, June 26, 2010
Serendipitous lunch
After walking, running to catch a cab, driving, and walking further toward East 60th street, I arrived at the famous restaurant on the Upper East Side, Serendipity 3. Though they began serving ‘Frrrrozen hot chocolates’ in 1954, the restaurant became a curiosity in my life after seeing the 2001 film Serendipity.
The film, starring John Cusack and Kate Beckinsale, features a couple that meets in Manhattan while holiday shopping at Bloomingdales, and by a stroke of fate enjoy a casual but memorable evening together, dining at Serendipity 3 and skating at Wollman Rink. Years later, as each character plans to wed other people, they hunger to discover a relationship in each other that never existed.
Having seen this movie enough times to recite the words as they happen, sing and/or hum the entire soundtrack, and still find the movie entertaining, I have always wanted to eat at the restaurant that serves as a recurring setting of the romantic scavenger hunt that is Serendipity. Finally, after dozens of trips to Manhattan, I made it!
A two-story, narrow shop with Tiffany lamps dangling from the ceiling, along with various other objects, the place could easily be misconstrued as a claustrophobic nightmare. The oversized menus don’t help the situation. But somehow the eatery manages to feel cozy and well lit. Having a menu filled with sandwich names such as ‘The Catcher in the Rye’ and ‘High Heel Pump’ the owners reveal an eccentric sense of humor. The selections also include a famous, record-breaking sundae called ‘Golden Opulence’ that requires a 2-day reservation and costs $1,000. While less extravagant, I very much enjoyed my hot chocolate dessert, and my tomato sauce and cheese ravioli, which I ate in that order, and I couldn’t imagine a more traditional ‘New York’ place to eat lunch outside of Central park (though Tavern on the Green closed!). Regardless if you have seen the movie or not, the establishment was open for decades before it grew to national fame, and it will be around for decades to come.
Saturday, May 15, 2010
Iron Man sequel: Chaotic
The innovative and brilliant Tony Stark (Robert Downey Jr.) reemerges in “Iron Man 2” as a spendthrift and ‘textbook narcissist’—as Scarlett Johansson’s character Natasha Romanoff notes. But despite the character flaw, Stark believes that his Iron Man technology is capable of creating world peace, therefore he persists in a battle on three fronts: protecting the suit, himself, and fighting off an iron-clad Mickey Rourke. Rourke plays Ivan Vanko, a Russian engineer whose father contributed to the success of Stark’s company. Angered by decades-long ill-acknowledgement of Vanko’s (Sr.) efforts, his son mimics Stark’s suit and uses its power against him. Simultaneously, Tony Stark’s company is losing momentum as his spontaneous and self-serving antics perpetuate fears regarding the productivity of the business. His behavior also warrants the US government to seek repossession of the Iron Man suit, arguing their case in publicized court proceedings. Between physical and emotional external factors, Stark faces fatal repercussions of being unable to healthfully energize his suit, and consequently himself. While seeking an undiscovered element to power the device, Stark battles his failing health, the vengeful Vanko, and uncooperative Senator Stern, who considers the device to be a threat to national security. With several plot lines, well-known actors, and vivid action scenes, the movie is chaotic but entertaining. While a third installment would be pushing it, the film overall was colorful and dynamic.
Wednesday, May 12, 2010
Pandora Internet Radio
Bored of listening to the same songs repeated hourly on the radio? Looking for a new favorite song or artist? Thanks to Pandora Internet radio there is an easy solution. I recently re-discovered my Pandora account and after weeks of compulsive use I cannot remember why I ever gave it up. The concept is brilliant: just choose your favorite musician or music style and the site generates songs, through their ‘music genome project’, that the user would enjoy based on that selection. The best part? The site is FREE. While you can pay to upgrade your account to an ad-less version called Pandora One, the website grants about 40 hours of free music per month. I’m down to 27 hours after two weeks. The Internet radio allows you to skip songs (up to 6 per hour to protect advertisers), bookmark favorites to build a music profile, and ‘like’ or ‘dislike’ songs, which influences subsequent song plays. Sound familiar? The website links to Facebook, which further narrows results based on your profile page, and alerts you when FB friends ‘like’ the same song or musician. This seemingly omniscient musical device can be universally appreciated by music-lovers of all kinds. So set up an account, and get ready to devote hours toward exploring your personalized musical world.
Thursday, April 1, 2010
Alice in Wonderland, a little too familiar
Stepping into Tim Burton’s Underland is poetically mesmerizing and picturesque, but not exactly unique. Like all of Burton’s movies, “Alice in Wonderland” has an eerie, disfigured quality. However, instead of revealing a magically parallel universe, Burton delivered what can only be described as a continuation of “Charlie and the Chocolate Factory”. Consider the similarities. It’s no surprise that Johnny Depp and Helena Bonham Carter have title roles in the movie, the latter being pure nepotism. And with a Depp-Burton ‘bromance’, there was really no question about his participation in this project. At a press conference Depp even explained, “to be honest, he could have said he wanted me to play Alice and I would have. I would have done whatever character Tim wanted.” Then there’s the matter of Johnny Depp’s Mad Hatter being shockingly similar to his Willie Wonka. Incorporated into both character’s personas are brief, and spacey, flashbacks, over the top wardrobes, which include coveted top hats, awkward dancing, and goofy voices and names. In some cases the characters could be inverted with little discrepancy. And then, of course, there is the scene when Alice discovers Underland for the first time, opening a door and stepping into the colorful world. Though admittedly more borrowed the other way around (and considering their both adaptations of previous movies), Burton reveals Wonderland in the same way he reveals an equally enchanting Wonka factory. A signature look is interesting and Burton’s work is certainly unique, but his own collection is hardly refreshing. Unfortunately, relief from his Beetle Juice-Edward Scissorhands-Sweeny Todd aesthetic is not foreseeable, as new movies “Frankenweenie” and “Abraham Lincoln: Vampire Hunter” are in production. Maybe one day we’ll see some of the unique and accessible facets of his work apparent in “Big Fish” and early Batman movies.
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